{"id":1330,"date":"2021-02-21T16:59:47","date_gmt":"2021-02-21T16:59:47","guid":{"rendered":"https:\/\/jeronimorivero.com\/?page_id=1330"},"modified":"2023-10-19T21:40:11","modified_gmt":"2023-10-19T21:40:11","slug":"covacha","status":"publish","type":"page","link":"https:\/\/jeronimorivero.com\/en\/covacha\/","title":{"rendered":"Covacha"},"content":{"rendered":"
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Covacha<\/strong> es un proyecto editorial, audiovisual y colectivo, de ra\u00edz pedag\u00f3gica, que narra a trav\u00e9s de im\u00e1genes, historias de resiliencia y procesos de formaci\u00f3n de mujeres en contexto de encierro en el complejo penitenciario de Los Hornos (Bs. As.). El trabajo de campo se realiz\u00f3 entre los a\u00f1os 2015 y 2020.<\/span><\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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  • \n \n \n INFORMATION<\/span>\n \n <\/li>\n
  • \n \n \n Gallery<\/span>\n \n <\/li>\n
  • \n \n \n Book<\/span>\n \n <\/li>\n
  • \n \n \n Video<\/span>\n \n <\/li>\n <\/ul>\n <\/div>\n
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    El Proyecto COVACHA se present\u00f3 a fines del a\u00f1o 2021 en el Complejo Penitenciario donde se desarroll\u00f3 y luego en el Centro de Arte de la Universidad Nacional de La Plata (Mayo 2022), en galer\u00eda Arte x Arte en el marco del FELIFA, Festival de Libros de Fotograf\u00eda (Capital Federal. Argentina. Abril 2022), en la Casa de las Culturas (Resistencia, Chaco, 2022), en la Feria del libro de Berazategui (Bs As 2022), entre otros.<\/p>

    \u201cHow do you resist in the jaws of prison power? This book is an expression of the infinite forms of resistance to the structural and dehumanising violence that reigns behind bars. The bet of this educational and artistic process was to place at its centre a politics of links and, as always happens with pedagogies that liberate, to open up a transformative space. In their play of light and shadows, the suggestive images constructed by these female prisoners propose a reflection that transcends the confinement to propose to think about the logics of increasingly exclusionary societies\u201d.\u00a0<\/span><\/p>

    Back cover text<\/span>
    <\/span>Ana Cacopardo<\/span><\/i>
    <\/span><\/i>Journalist and documentary filmmaker. Feminist and human rights activist<\/span><\/i><\/p>

    -----<\/span><\/i><\/p>

    \u201cBecoming a school in the Freirean pedagogical praxis of \"possible dreams\" is the path of our school, School No. 702, which operates in Women's Prison Units 8 and 33 in Los Hornos, province of Buenos Aires. Our students are young women, young adults and adults, whose brief and forgotten schooling trajectories have been traced by the structural poverty of their original environments. Most of them were born into insecure families: with little affection and precarious jobs; victims of gender violence at home, in the street; transformed early on by motherhood, not always desired. The path of inequalities they follow finally throws them into the exclusion of confinement. They arrive with broken dreams. In the daily work of the classrooms, we look for hospitable learning alternatives, from which they feel strengthened to rebuild their dreams, their desires and can take on the challenge of starting over.\u00a0<\/span><\/p>

    This project was born from this search in 2015. Vital practice from which, year after year, each student managed to find the history that constitutes her, made up of her own and inherited stories. This experience allowed them to rediscover their faces, their bodies, in the midst of an everyday life without mirrors, and to discover how to stop the instant of recognising themselves in a photograph\u201d. <\/span><\/p>

    Opening text<\/span><\/p>

    Lic. Susana Canavesi<\/span><\/p>

    Teacher School N\u00ba 702. Unit 8.<\/span><\/p>

    The team that took part in the work process is made up of the following people: \n
    Jer\u00f3nimo Rivero<\/b> (La Plata; 1975)\nPhotographer, Journalist and Professor of Social Communication UNLP\nIdea, General Production and Photography\n
    Juan Manuel Fiuza <\/b>(La Plata; 1978)\nVisual Artist, Photographer, Designer and Visual Communicator\nEdition, Design and Layout\n
    Nicol\u00e1s Janowski<\/b> (City of Buenos Aires; 1980)\nPhotographer, Editor and Anthropologist UAB (Barcelona, Spain)\nGraphic Consulting and Edition\n
    Pablo Rabe<\/b> (La Plata, 1983)\nFilmmaker, Teacher and Researcher at the Faculty of Fine Arts UNLP \nAudiovisual Production\n
    Juan Manuel Zald\u00faa<\/b> (Neuqu\u00e9n, 1990)\nFilmmaker and Professor in Audiovisual Arts at the Faculty of Fine Arts UNLP\nWorkshop teacher\n
    C\u00e9lica V\u00e9liz<\/b> (Ezeiza, 1983)\nPhotographer and Professor of Visual Arts IPAT (Tandil, Arg)\nWorkshop teacher\n
    Yenifer Galindo<\/b> (Manizales, 1987)\nSocial Worker. University of Caldas (Colombia)\nProject Management\n
    Susana Canavesi <\/b>(La Plata, 1967)\nBachelor of Education Sciences UNLP\nInaugural text and teacher at School N\u00ba 702 in Unit 8 of Los Hornos.\n\nText production:\n
    Ana Cacopardo<\/b> (Necochea, 1965)\nJournalist graduated from the UNLP and Documentary Filmmaker. Feminist and Human Rights Activist.\n
    Liliana Cabrera<\/b> (City of Buenos Aires, 1980)\nEditor, feminist activist and educator. Member of the collective \u201cYoNoFui\u201d.\n
    Trist\u00e1n Basile<\/b> (La Plata, 1989)\nGraduate in Sociology and coordinator of the programme and university accompaniment in prisons of the Prosecretariat of Human Rights of the UNLP.\n
    CPM<\/b> Provincial Commission for Memory (Bs. As.)<\/span><\/p>\t\t\t\t <\/div>\n\t\t \n

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